Feb 252016
 

«L’Italie dans l’assiette»

vous propose un service de chef et traiteur italien à domicile, ou sur le lieu de votre choix, vous guide dans la définition du menu et prépare un repas gastronomique, typiquement italien, avec des ingrédients spécialement sélectionnés pour votre réception.
The Italy in base utilise pour la réalisation de ses mets des produits de haute qualité provenant directement de l’Italie. Tous les produits sont testés avant d’être utilisés dans la préparation des menus.

Feb 222016
 

CLUB CONVERSATION AFFICHE

 

Dates of the two meetings of the month of March 2016 :

*Wednesday 09/03/16 from 18:30 to 20:00
*Friday 18/03/16 from 18:30 to 20:00

Venue : the Golden Cockerel, 58 Boulevard Carnot

How does the conversation club?

The frequency of the meetings is Wednesday and Friday in the month.

The conversation club is open to all members, but we will not exceed the number of 12 participants.


Reservation required by email to the secretariat.


The activity is offered by the association but consumption at the bar is mandatory and pay as well as the presentation of the card of accession of the Italy in Toulouse.

A theme will be addressed if we have more ideas.

Then to soon,

Isabelle

Feb 222016
 

The 16 and 17 March 2016 / The Jean Jaurès and the artists of Montrabé station University cultural factory

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This year the Theatre Company, the Chiassosi, University theatre Association, offers a militant show dealing with violence against women.

Show in Italian, surtitled in french

“INJURIES TO DEATH” part of a collection of Serena Dandinidandini

Jean-Claude Bastos staging / choreography by Alain Abadie

In a non-suit and a time suspended, together all women who have died by violence of men: rich and poor women, cultivated or illiterate, young and old, rebels or subject. Finally delivered on their status of victim, They tell their stories, venues around the world : India, Italy, France, USA, Mexico...
It thus becomes witness to the tragedies caused by a macho society, by cruel traditions, by mindsets backward. The result is an activist anthology of oddly full of humour and irony stories, where the tragedy of the daily demand justice and universality of the stories pushes the reader-Viewer to think and act with regard to the true status of women in the
21st century. bilingual French edition published in the collection

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Venue :

  • to the cultural fabric of the University Jean Jaurès the 16 March at 7 pm and the 17 March at 12:45 and 19: 00 free admission for all)

  • at the train station at the Montrabé artists the 31 March to 20.30 (entered 6 € and 8 €)

 

Feb 222016
 

The documentary, that tells the flow of migrants to our country, Rosi was filmed on the island of Lampedusa over the course of a year

 

rosiceThe only Italian films in the running at the 66th edition of the Berlin Film Festival was awarded the highest prize.

BERLIN – Fuocoammare, the documentary by Gianfranco Rosi after sacro GRA – already awarded in Venice – He won the Golden bear at the Berlin Festival. Recoils Rosi and calls on the stage of the Berlinale the film's Assistant Director Peter doctor Bartolo and honored at the 66th edition, This year dominated by the theme of immigration, integration and with a strong look at the Middle East, to Africa. Says that “This is a prize for manufacturers”. Speak english, then in Italian.

The jury Chairman Meryl Streep, alongside the Director Dieter Kosslick, reads the verdict: “Exciting and original film, the jury was overwhelmed with compassion. A film that brings together art and politics and many shades. That's exactly what art means in how will the Berlinale. A free story and pictures of truth which tells us what is happening today. Urgent film, visionary, necessary”. On stage, Raina begins her speech: “My deepest thoughts go to all those who have never arrived in Lampedusa, to those who have died. I dedicate this work to the lampedusans who welcomed me and have welcomed people who came. It is a nation of fishermen and anglers welcome everything that comes from the sea. This is a lesson that we must learn”. And continued: “For the first time, Europe is debating seriously some rules to be fixed, I'm not happy with what they are deciding. The barriers have never worked, especially mental ones. I hope this film helps to break down these barriers”. Then salutes by kissing his daughter Emma: “I spent a year and a half in Lampedusa and I saw her just a few days. This will make her happy for a long time”.

Feb 222016
 

eco2Great Italian intellectual, the writer Umberto Eco, died on the night of Friday to Saturday at the age of 84 years, was an academic, linguist and philosopher who rose to global fame with a medieval and erudite thriller, The name of the rose .
This philosopher by training, celebrated on the later while approaching fifties, has managed a masterstroke with his first novel published in 1980, The name of the rose has sold several million copies and has been translated into 43 languages. It has been adapted for the cinema in 1986 by the French Jean-Jacques Annaud with Sean Connery in the role of Brother William of Baskerville, the ex-inquisiteur to investigate the death suspicious of a monk in an Abbey of the Italy North. Peppered with latin, the polar of this renowned with the affable roundness semiologist was even the target of pirate editions, including in Arabic under the title sex at the convent… Another consequence, significant for the Italian edition, “The name of the rose revived the novel in Italy and Italian literature abroad. The Italian authors have again been translated”, says critic and Italian novelist Alain Elkann.
After the name of the rose, He particularly offered its readers Foucault's pendulum (1988), The island of the day from front (1994) and the mysterious flame of Queen Loana (2004).

His latest novel, Number zero, published in 2014 is a contemporary thriller centered on the world of the press. He is also the author of dozens of trials involving also eclectic than medieval aesthetics, the poetics of Joyce, vegetable memory, James Bond, the art of the fake, the history of beauty or that of ugliness.
“Beauty lies within certain limits while the ugly is infinite, therefore more complex, more varied, more fun”, He explained in an interview in 2007, adding that he had “always had affection for monsters”. Claiming “write for fun”, It Professore – malicious eyes behind glasses and a white beard – was also a bibliophile and possessed more than 30 000 titles including rare editions. “Eco was a first class, very intelligent, very erudite. He played brilliantly the figure of the European intellectual. He is also comfortable in Paris and Berlin to New York or Rio”, considers Alain Elkann.

Iconic quotes by Umberto Eco:

  • "The weaknesses of the wicked are the same as those of the saints."
  • "Lets talk about your heart, queries the faces, don't listen to languages…”
  • "If God exists, It's a library."
  • "TV makes intelligent people who do not have access to culture and abrutit those who believe themselves cultivated."
  • "Science is not only whether to be or may be, but also to know what could be done when well even should not do so."
  • "The themes of the tragedy are universal, While those comedy are more rooted in the cultures."
  • "There are four ideal types : the moron, the fool, the crazy and the stupid. The normal, It is the balanced blend of four."
Feb 222016
 

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Had 84 years. AND’ was philosopher, semiologist and a great expert of communication. He never lost the desire to observe the policy. He had just launched a new publishing house “The ship of Theseus”, After refusing to stay in what he called “The Mondazzoli”, the fusion Mondadori-Rcs. AND’ was also time collaborator of La Repubblica and L'Espresso
The world loses one of its most important cultural figures contemporaries and all of us will miss his insight into the world. Had 84 years, It was writer, philosopher, great observer and expert on communication and media. The confirmation of the death of the author “The name of the rose” and de “Foucault's pendulum” was given by the family in the Republic.

The death occurred at 22.30 last night at his home.

 

Feb 182016
 
Cliquez sur l'Onglet CULTURE puis allez sur VIDEO/THEATRE pour regarder un extrait de ce beau spectacle!
opera
About the artwork

Venice, its Carnival and its masks are undoubtedly the ideal setting of gallant scenes, of the romantic twist and, more widely, festivities of any kind. With its Fêtes galantes, the Aachen André Campra composer broke the heavy legacy of the lullyste mode and has succeeded in developing a new lyric genre, sort of total show of before mingling in a Merry fairy chant and dance arts.
These "comedies-ballets"., whose Venetian festivals is one of the first and most brilliant examples, alternated scenes and stories no real link between them, for the simple happiness of the eyes and ears. The love intrigues to succeed in a gallant spirit that remains forever linked in our minds to that of the age of enlightenment.
With, musical direction and staging, two of the biggest names in opera today, William Christie and Robert Carsen, This production will continue an international career since we find it at the Brooklyn Academy of Music in New York.

 

Feb 182016
 

fullafter 65 performances and more 30 000 spectators, the musical "Italians"., When the emigrants was we !», what they have created in 2011, has obtained international recognition by receiving Label QC-Europe (Queen Christine Europe).This label, is awarded by the Association Christine of Sweden, the European, businesses and groups who defend tolerance values, of living together, passion for knowledge... And as a happiness often never happens only, This same association comes to be a patron for a large European tour which, en 2017 and 2018, will bring this show in Stockholm, Vienna, Rome, Madrid, Porto, Warsaw...

But before... and as soon as this weekend, Toulouse will discover, see or review it "Italians"., When the emigrants was we !"since on an initiative of CRAN-MP (Representative Council are Associations Noires de Midi-Pyrénées), It will be proposed, Saturday night at the Mazades theatre.

Superb choral fresco which revisits

the Italian migration epic, "Italians"., When the emigrants was we !"is interpreted, under the direction of Rocco Femia, by twenty-five choristers, eight musicians who take over fifteen traditional songs and popular Italian and Bruno Putzulu, Narrator, who plays this great story.

In the background, videos, photos and images, testify to what, with 27 million migrants, remains to this day the largest exodus of people in modern history.

Saturday 20 February at 20 h 30, at the Mazades Theatre. Tariff : 8

Learn more about:

http://www.ladepeche.fr/article/2016/02/18/2279754-l-immigration-italienne-racontee-jouee-et-chantee-aux-mazades.html#FH4CTiXSz7RhAHzI.99