May 032016
 

25 May > 28 May

PHOTO_Orestie_©GuidoMencari_05_spectacle

Duration : 2H30 with intermission

Romeo Castellucci was born in Cesena in 1960. He studied painting and stage design at the Academy of fine arts of Bologna. He founded in 1981, with Claudia Castellucci and Chiara Guidi, the Societas Rafaello Sanzio. He directed many of the shows which he is both the author, the Director, the creator of sets, lights, sounds and costumes. Known in the world - his creations have been performed in more than 50 countries - as the author of a theatre based on the totality of the arts to a full perception, He also wrote various theoretical essays on the mise en scène allowing to trace his theatrical career. His stagings indeed offer a type of drama that escapes the primacy of literature, making his theatre a plastic art complex, a theatre of images of great wealth. Since 2006 working alone. Her shows are regularly invited and produced by the most prestigious stages, theatres, operas and festivals.
He has received various awards and honours : en 2014 The Alma Mater Studiorum University of Bologna awarded him the title of doctor honoris causa in music and Theatre disciplines.

 

 

Mar 102016
 

Graulhet Forum, near Albi.
Price reduced (6€50) for the members of the Association on presentation of membership card.

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Nunzio, first text of Spiro Scimone, is written in the dialect of Messina. Two companions, the uncertain common past, share a small apartment.

Nunzio works in a factory, where he breathed toxic products, which severely damaged his health.
It is unclear what manufactures Pino. He receives mysterious envelopes slipped under the door, made just as mysterious trips…

"In this context where death lurks., humanity gushes of the brotherhood of these two beings, These somewhat derisory anti-hero and the poor rampart of tenderness that they erected, a screen against adversity." Cécile Brochard, Flash.

"Set"., Olivier Jeannelle and Denis Rey sign an absolutely impeccable partition, delivered by touches of tenderness, and in which crept modestly their own complicit relationship."

Author Spiro Scimone / Olivier Jeannelle staging / Interpretation Olivier Jeannelle, Denis Re

RATES:
Full €9.5
Privilege €6,5
Mini €6.5

Mar 092016
 

Show of stories and song
' love story of an Italian worker’

Friday 29 April white dog Theatre – 26 Rue General Compans- 31500 Toulouse

RADIO LA VIDEO en cliquant sur l'onglet CULTURE then TOPIC / Videos: Video Theater

AngiOlina NerOliva is a journey narrated and sung from one end to the other of postwar Italy; a tale of love and society very much appreciated by the public from various countries

angioina

1° Caramia Antonio

 

Olive fotoOlive photo 2

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www.angiolinaneroliva.com

From South to North, campaign in the city,

fields of olives at the factory, Sunset in fog,
AngiOlina NerOliva
tries to escape his fate
already drawn south of the Italy women's.

Under the strict supervision of his brothers
and under the benevolent eye of the “Nonna Concetta”,
his grandmother,
She will meet with the world and abuse of power,
love and deception
.
Will it be love winner ? Mystery and ball of... gnocchi !

A journey told and Sung
from one end to another of the post-war Italy…

with Debora Di Gilio and Tiziana Valentini

Feb 222016
 

The 16 and 17 March 2016 / The Jean Jaurès and the artists of Montrabé station University cultural factory

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uni

 

 

 

 

 

 

This year the Theatre Company, the Chiassosi, University theatre Association, offers a militant show dealing with violence against women.

Show in Italian, surtitled in french

“INJURIES TO DEATH” part of a collection of Serena Dandinidandini

Jean-Claude Bastos staging / choreography by Alain Abadie

In a non-suit and a time suspended, together all women who have died by violence of men: rich and poor women, cultivated or illiterate, young and old, rebels or subject. Finally delivered on their status of victim, They tell their stories, venues around the world : India, Italy, France, USA, Mexico...
It thus becomes witness to the tragedies caused by a macho society, by cruel traditions, by mindsets backward. The result is an activist anthology of oddly full of humour and irony stories, where the tragedy of the daily demand justice and universality of the stories pushes the reader-Viewer to think and act with regard to the true status of women in the
21st century. bilingual French edition published in the collection

2501

Venue :

  • to the cultural fabric of the University Jean Jaurès the 16 March at 7 pm and the 17 March at 12:45 and 19: 00 free admission for all)

  • at the train station at the Montrabé artists the 31 March to 20.30 (entered 6 € and 8 €)

 

Jan 282016
 

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WATCH THE BAND D ANNOUNCEMENT ON TOPIC “VIDEO” (Tab CULTURE)
in Italian, surtitled in french

From an ordinary Polish woman intimate books, Daria Deflorian and Antonio Tagliarini invent a theatrical matter spoken-danced, irresistible, that approach the mysterious reality of this invisible life.

To book online

http://www.forumsirius.fr/orion/garonne.phtml?spec=598&via=emailing-em160127_154211

Mar 122015
 

Until the 21 March / Duration 2 h 15 / Large room
Translated by Agathe Mélinand full text
Staging, sets and costumes: Laurent Pelly
Production: TNT – Théâtre national de Toulouse Midi-Pyrénées
Co-production: MC2 – Grenoble, Théâtre national de Bretagne – Rennes

In his theatrical fable 1765, The Venetian Gozzi affords. His extraordinary play is both a voyage of initiation, a philosophical tale, a folly where it crosses bloodthirsty Queen, depressive King, porkbutcher exceeded, fairies and, Of course, a magical bird

Saturday 21 March/16 h

Conference – Debate: The Green Bird (Carlo Gozzi, 1765) : “Commedia dell'arte the philosophical fable”
Cecile Berger,
Lecturer in Italian studies at Toulouse University – Jean Jaurès, Agathe Mélinand and Laurent Pelly.

Free entrance upon reservation in the
05 34 45 05 05

tntOiseau_Vert

 

Feb 162015
 

chiassosi

 

 

 

 

libro

 

 

 

Association I CHIASSOSI

5, Allées Antonio Machado

31058 Toulouse cedex

Company I Chiassosi / Project 2015

Spectacle in Italian with surtitles in french.

QUADRI DI UNA RIVOLUZIONE

di Tino Caspanello

 

Revolutions missed, revolutions raped, revolutions waiting to explode. Would we still be struggling ? We still have a thing for which fight ? Will we still have the courage and dignity to do so ?

Human is revolt (Camus docet!), and we live of revolutions, small or large. Of the first fights within the family, necessary, forced passages, to those greatest that involve as members of a society that claims sacrosanct rights. And it is precisely within this institution that we live too often the failure of our battles, Perhaps because - that we have lost sight of the main objective of each revolt : again own all rights and all the prerogatives that make a man a human being. It is not work, It is no necessary social institutions, and this precisely because - that latter fall into the category of needs, but the dignity, respect, tolerance, the right to dream, the possibility of living a time seconded bonds, a time of the soul. Nevertheless, and we know, each revolution is that at the time where it explodes. After, It is more than a system.

Quadri di una rivoluzione tells the epilogue of a revolution, one of the many revolutions, who found a dimension in the space of a stadium. Barricaded indoors, the three revolutionaries, the last three survivors, desperately trying to keep alive their dream of revolt. However, any dream as a dream needs a reality to find its proper measure, and all too often we cannot measure the distance that separates them and that we cannot fill. Then when reality rushes inside this dream, the enchanted castle begins to crumble, to assign, to show the fragility of a utopia.

Tino Caspanello

Synopsis

In a stadium surrounded by walls, live three men, the last resistance of a revolution missed and unidentified. Outside, others who suspect, monitor, wait for them. One of them brought into this closed circle a woman : its condition of expectant mother gives him a special status within the Group, to enter in the confidence of each, create links... and to dissolve. The distrust and the fall then... triggered a series of paintings of famous painters made echoes in scenic tables : Rembrandt, Matisse, Degas, Renoir, Matisse... which punctuate their universe uncluttered dialogues of the characters, Stressing the universality of the balance of power and the force of silence. The author tries to rebuild, in a metaphysical vision, fragments of life, a small daily flashes that there, too often, struggling to collect.

The author

Tino Caspanello (born in Pagliara - Messina in 1960), graduated in scenography from the Academy of Fine Arts in Perugia. He founded the Compagnia Teatro Pubblico Incanto in 1993. Since, He wrote, interprets and staged his own texts. The room Husband has received the Special Prize of the Jury at the Premio Riccione per it Teatro (2003). En 2014, the text Quadri di una rivoluzione arrived at the head of the Eurodram selections – European network of theatrical translation (House of Europe and the East – Paris).

Editorial and pedagogical work component

Like every year, the play will be translated in French and published in bilingual version in the collection New scenes Italian n ° 11 (publication in March 2015) so happens to his eighth number. It will also be a team effort on the part of the MASTER PROSCENIO student charged for overage in french of the piece, during the performance.

Representations

On the campus of the UTM :

  • Tuesday 3 March at 19:00
  • Wednesday 4 March at 19:00

Off-campus of UTM :

  • The station to artists (Montrabé)- Tuesday 31 March at 15 h and 20 h

Staging : Jean-Claude Bastos

Duration of the show : 1H30

Sound and lights : Serena Andreasi

Scenography / Set designer : Jean-Claude Bastos and students